Kenya's President William Ruto has garnered numerous nicknames, ranging from "Deputy Jesus" to "El Chapo," reflecting both admiration and critique from the public. While some titles, like "Hustler," resonate positively, others stem from dissatisfaction with his leadership and tax policies. This phenomenon highlights the complexities of political identity in Kenya today.
William Ruto: The President with a Multitude of Monikers

William Ruto: The President with a Multitude of Monikers
An exploration of the various nicknames attributed to Kenya's President William Ruto, illustrating the deep-rooted perceptions and sentiments surrounding his leadership.
Kenya's President William Ruto has become synonymous with a plethora of nicknames that evoke both admiration and criticism from the populace. Monikers like "Deputy Jesus," "El Chapo," "Hustler," and "Chicken Seller" showcase a spectrum of public sentiment regarding his leadership since he ascended to the presidency in 2022.
In a recent address in Nairobi, Ruto humorously acknowledged the unique trend of nickname creation, noting how it reflects the public's varied perceptions. His previous titles often cast him as a relatable, grassroots figure, particularly appealing to those facing economic difficulties. For instance, "Hustler" speaks to his portrayal of championing the underprivileged, while "Chicken Seller" hearkens back to his humble beginnings selling poultry as a child. Political analyst Prof. Herman Manyora contends these earlier titles played a crucial role in securing his electoral success.
Nevertheless, the narrative has shifted significantly, especially in light of controversial policies during Ruto's presidency. The title "Zakayo," derived from the Biblical figure Zacchaeus, highlights the public's perception of betrayal, as Ruto's tax hikes have drawn widespread ire from citizens questioning his earlier promises of support for the working class. The public outcry against increased taxes has led to significant protests, with the chant "Ruto must go" becoming a rallying cry indicative of frustration and disappointment.
The proliferation of nicknames has not been limited to criticism alone. Satirical creations like "Vasco da Ganya," a play on the Portuguese explorer Vasco da Gama, mock Ruto's perceived tendency to travel abroad frequently, while "Kaunda Uongoman" combines his sartorial preferences with accusations of dishonesty. Even as the president appears to embrace the deluge of nicknames, the government has oscillated between dismissing them as benign and viewing satirical art as potentially dangerous to officials' portrayals.
While Ruto's spokesperson claims that the multitude of labels encapsulates the diverse opinions about him, younger generations interpret these monikers as essential outlets for expressing their dissatisfaction. Some, like university student Lachon Kiplimo, suggest that the president's own lofty promises contribute to the discontent fueling this creative mockery.
Given the rapid dissemination of content through social media, Ruto's case illustrates how digital platforms can amplify public sentiment, transforming political identity into a canvas reflecting societal challenges. Many believe the extensive labeling of Ruto is more than mere ridicule; it encapsulates deep-seated frustrations facing numerous Kenyans today. In this context, the collection of nicknames reveals an unprecedented relationship between a leader and their constituents, showcasing the evolving narrative of political discourse in Kenya.