The installation of a towering seven-meter dinosaur sculpture, named Boom Boom, in Taupō has prompted mixed reactions among locals regarding its artistic value and relevance. While some laud it as a stimulating addition to the community, others criticize the $100,000 public expenditure and question its connection to the region.
Boom Boom: New Zealand's Daring Dinosaur Sculpture Sparks Community Controversy

Boom Boom: New Zealand's Daring Dinosaur Sculpture Sparks Community Controversy
A striking stainless steel dinosaur in New Zealand's Taupō Sculpture Park ignites debate over public art funding and local cultural relevance.
In the heart of New Zealand's North Island, an eye-catching seven-meter stainless steel dinosaur sculpture named Boom Boom has ignited discussions in the Taupō community. After its installation in the Taupō Sculpture Park, the artwork quickly garnered attention, with opinions ranging from admiration to criticism. Commissioned by the Taupō Sculpture Trust, this piece was created by Slovenian artist Gregor Kregar, who anticipates that the sculpture would spark debate and engagement with the public.
While many viewers have expressed delight at the provocative piece, calling it "fabulous" and a great conversation starter about art, there are contrasting opinions questioning the value of the investment. One social media user lamented the allocation of $100,000 in public funds—derived from local ratepayers—suggesting that such money could have been better spent within the community. This criticism comes in light of recent increases to the Taupō District Council's rates, mirroring council tax hikes.
Kregar, reflecting on the mixed responses, emphasized the role of sculpture in transforming public spaces and interactions. He believes that even the most unfavorable opinions might shift positively as residents begin to recognize Boom Boom as integral to their community's identity. Furthermore, the artist notes that the rock upon which the dinosaur rests draws inspiration from the area’s volcanic history, reinforcing its connection to Taupō.
The decision to bring Boom Boom to life was carefully weighed by the Taupō Sculpture Trust, as explained by Kim Gillies, the trust's secretary. The aim was to elevate Taupō’s profile as a cultural destination. In an era where safe choices can feel uninspiring, the hope is that bold artistic endeavors will enrich community dialogue, even when they provoke dissent.
Ultimately, whether loved or loathed, Boom Boom stands as a symbol of the complexities surrounding public art funding and community priorities in New Zealand. It embodies the dual nature of art's role in society: to challenge perceptions while bringing people together, sparking conversations that resonate far beyond the art itself.